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NADA Miami 2020
Viewing Rooms
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Artworks
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Artworks
A.ROMY, Zürich
Lauren Coullard,
Egg Roll
, 2018
Helena Anrather, New York
Guimi You,
Portrait of a Lady
, 2019
Samson Projects, Boston
Steve Locke,
Homage to the Auction Block #28-daylight
, 2020
Mrs., Maspeth
Soyeon Shin,
Clinton Avenue
, 2019
Kate Werble Gallery, New York
Luke Stettner,
Pentagon
, 2020
Damien & The Love Guru, Brussels
Mickael Marman,
untitled
, 2020
Samson Projects, Boston
Daniela Rivera,
How to Learn through Trauma
, 2020
parrasch heijnen gallery, Los Angeles
Mildred Howard,
Black, White and Red All Over
, 2007
Jack Hanley Gallery, New York
Keiko Narahashi,
Little Root of a Dream
, 2020
Low, Riga
Ieva Kraule-Kūna and Elīna Vītola,
Artist Crisis Center II-B: Fair Gear
, 2020
Carbon 12, Dubai
Philip Mueller,
Tibe guest Chet
, 2019
MOTHER GALLERY, Beacon
Chie Fueki,
Mirror
, 2020
Iragui, Moscow
Pavel Pepperstein,
Archeology of future. In March 2081 captain Olaf Kartassi reported to his command about the marble head “Woman with a fish in her mouth”, which he found in the hold of the written-off boundary boat. From the series Hunters for Marble Heads
, 2016
Independent Curators International (ICI), New York
Liz Glynn,
Untitled
, 2013
Deli Gallery, Brooklyn
Kat Lyons,
New Moon Night
, 2020
COOPER COLE, Toronto
Oreka James,
Their Shadows Danced Across Walls in her Light
, 2020
Stems Gallery, Brussels
Mario Ayala,
Registered Noun
, 2019
Kate Werble Gallery, New York
Luke Stettner,
of/
, 2020
LaMontagne Gallery, Boston
Daniela Rivera,
STOP
, 2020
Raster, Warsaw
Olaf Brzeski,
The Lion and the Emptiness
, 2019
imlabor, Taitoku
Reina Sugihara,
Untitled
, 2020
Polana Institute, Warszawa
Olga Micińska,
Rest
, 2020
12.26, Dallas
J.A. Feng,
Lemon Squeeze
, 2020
Kim?, Riga
Elza Sīle,
Top-down and the vertical becomes negative
, 2020
FIERMAN, New York
Karen Finley,
Huge Loser
, 2020
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